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Neukölln Opera's '1000 Airplanes' Soars with Social Commentary and Diversity

Discover the opera that's sparking conversations about diversity and recognition. Don't miss this thought-provoking blend of artistry and social commentary.

There are persons in different color dresses giving a performance on a stage on which, there are...
There are persons in different color dresses giving a performance on a stage on which, there are speakers. In the background, there is a hoarding and the background is dark in color.

Neukölln Opera's '1000 Airplanes' Soars with Social Commentary and Diversity

Neukölln Opera's latest production, '1000 Airplanes on the Roof', is making waves with its unique blend of artistry and social commentary. Under the helm of new artistic director Rainer Simon, the opera explores themes of underappreciation and societal constraints through the eyes of its protagonist, 'M', played by Dutch trans* performer Mara Snip.

The opera, which runs until November 9, tells the story of 'M', a café barista struggling with societal constraints. Snip's powerful performance brings depth to the role, with the central line, 'No one will believe you', now reflecting the lack of recognition faced by trans people in society. Simon, who is openly gay, has supported queer themes organically emerging through collaboration with artists, including trans director Paige Eakin Young.

The opera's score, rich with vocal loops and nearly orchestral in depth, is influenced by 1960s and 70s UFO abduction narratives. The production features an all-FLINTA* team, respecting and representing diverse voices. Simon, who began his tenure at the start of the 2025/26 season, has introduced a new program, artists, and even a new logo, while honouring the tradition of the Neukölln Opera. The season opened with 'Hunter', a multimedia piece by Belgian artist Liesa van der Aa, and included 'Crime of Passion', a fusion of operatic critique and real-world outrage over femicides. Simon is leaning towards avant-garde and retro-avant-garde works, with the stage design for '1000 Airplanes on the Roof' boldly embracing a retro-futuristic aesthetic to match Philip Glass's pulsing minimalist score.

Neukölln Opera's '1000 Airplanes on the Roof' is a testament to Simon's commitment to diversity, innovation, and social relevance. With its powerful performances, unique score, and thought-provoking themes, the opera is a must-see for art enthusiasts and social justice advocates alike, playing Tuesdays, Thursdays-Sundays until November 9.

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