Von Wegen Lisbeth grapples with losing young AfD voters in eastern Germany

A band’s progressive message clashes with rising far-right loyalty. Can art bridge the gap—or only deepen the divide?

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2025 December 13 . 3:11 AM

1 min read

In this a band of people playing different type of instruments. Three of them playing drums and few... — In this a band of people playing different type of instruments. Three of them playing drums and few of them are playing flute at the back. People gathered around them. They are situated in a hall. The hall has lumps on their walls. There is a podium beside them.

Von Wegen Lisbeth: "Won't reach any AfD voters anymore" - Von Wegen Lisbeth grapples with losing young AfD voters in eastern Germany

Julian Hölting, a member of the band Von Wegen Lisbeth, has spoken openly about the struggles of mixing music with political activism. While he believes strong voices from non-right-wing circles are essential, he admits such statements often spark repetitive debates and echo chambers. The band now finds it hard to connect with certain voters—particularly young supporters of the AfD in eastern Germany.

Hölting’s comments come as Von Wegen Lisbeth acknowledges a growing disconnect with a specific group: young AfD voters aged 18 to 24 in eastern Germany. Research shows these voters display strong party loyalty, low volatility, and prioritise issues like nativism and migration. Their influence was clear in the 2024 state elections and the 2025 Bundestag vote, where the AfD gained significant support.

The band’s reflections highlight a wider tension between art and activism. While Von Wegen Lisbeth continues to advocate for progressive values, they face the reality of a polarised audience. Their experience underscores how political engagement in music can both unite and alienate—depending on who is listening.