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How a Korean Drama Exposes the Shared Struggles of Filmmakers and Politicians

From unmade scripts to hollow victories, this drama's raw honesty cuts deep. What if success means losing yourself in the process?

The image shows a portrait of Abraham Lincoln with the quote "My great concern is not whether you...
The image shows a portrait of Abraham Lincoln with the quote "My great concern is not whether you have failed, but whether you are content with your failure" written underneath. The portrait is of a man with a serious expression on his face, wearing a suit and tie. The quote is written in a bold font, emphasizing the importance of the message.

How a Korean Drama Exposes the Shared Struggles of Filmmakers and Politicians

A new Korean drama, We Are All Trying Here, explores the struggles of eight former university film club members chasing success in the movie industry. Known in Korea as Mojamussa—meaning Everyone Is Fighting Their Own Worthlessness—the series resonates beyond filmmaking. One writer has drawn parallels between its themes and the challenges faced by politicians navigating a difficult path.

The author highlights how both filmmakers and political newcomers grapple with failure and self-doubt, even after apparent victories. The drama centres on Hwang Dong-man, a screenwriter who has spent 20 years crafting 14 scripts without ever directing a film. His journey reflects the insecurity and persistence required in creative fields. The author compares this struggle to the experiences of political novices, who often face similar doubts and setbacks.

Success in elections or filmmaking demands the ability to move people’s hearts, yet both paths are littered with failure. The author notes that even those who win elections or complete films may later compromise their values, bowing to supporters or producers. This erosion of principles can leave them feeling just as worthless as those who never succeeded at all.

The writer admires the courage of politicians who stick to their ideals, even at the cost of isolation. They suggest that Mojamussa could serve as a comforting mantra for reckless political challengers. The message is clear: to endure, they must repeatedly confront their own sense of inadequacy.

Hwang Dong-man’s pettiness and insecurity mirror the flaws of inexperienced politicians. Both must battle their inner doubts to stay true to their original goals. The drama’s title, Mojamussa, captures a universal struggle—one that applies as much to filmmakers as to politicians. The author’s reflection underscores a shared truth: lasting success requires constant resistance against self-doubt.

For political newcomers, the lesson is stark. Protecting core values, even at great personal cost, may be the only way to avoid the hollow victory of compromised principles.

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